Fleda was silent; the worst of it all was that there was something unspoken between them. Neither of them dared to utter it, but the influence of it was in the girl's tone when she returned at last, with great gentleness: "Don't be harsh to me—I'm very unhappy." The words produced a visible impression on Mrs. Gereth, who held her face averted and sent off through the window a gaze that kept pace with the long caravan of her treasures. Fleda knew she was watching it wind up the avenue of Poynton—Fleda participated indeed fully in the vision; so that after a little the most consoling thing seemed to her to add: "I don't see why in the world you take so for granted that he's, as you say, 'lost.'" The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture!!

"As you may suppose, I particularly inquired. Do you know what she had the cheek to tell me?" Owen asked. "She didn't better it much: she said she meant that it's excessively unnatural." It was this that formed the element through which Mona loomed large; Fleda had enough imagination, a fine enough feeling for life, to be impressed with such an image of successful immobility. The massive maiden at Waterbath was successful from the moment she could entertain her resentments as if they had been poor relations who needn't put her to expense. She was a magnificent dead weight; there was something positive and portentous in her quietude. "What game are they all playing?" poor Fleda could only ask; for she had an intimate conviction that Owen was now under the roof of his betrothed. That was stupefying if he really hated Mona; and if he didn't really hate her what had brought him to Raphael Road and to Maggie's? Fleda had no real light, but she felt that to account for the absence of any result of their last meeting would take a supposition of the full sacrifice to charity that she had held up before him. If he had gone to Waterbath it had been simply because he had to go. She had as good as told him that he would have to go; that this was an inevitable incident of his keeping perfect faith—faith so literal that the smallest subterfuge would always be a reproach to him. When she tried to remember that it was for herself he was taking his risk, she felt how weak a way that was of expressing Mona's supremacy. There would be no need of keeping him up if there were nothing to keep him up to. Her eyes grew wan as she discerned in the impenetrable air that Mona's thick outline never wavered an inch. She wondered fitfully what Mrs. Gereth had by this time made of it, and reflected with a strange elation that the sand on which the mistress of Ricks had built a momentary triumph was quaking beneath the surface. As The Morning Post still held its peace, she would be, of course, more confident; but the hour was at hand at which Owen would have absolutely to do either one thing or the other. To keep perfect faith was to inform against his mother, and to hear the police at her door would be Mrs. Gereth's awakening. How much she was beguiled Fleda could see from her having been for a whole month quite as deep and dark as Mona. She had let her young friend alone because of the certitude, cultivated at Ricks, that Owen had done the opposite. He had done the opposite indeed, but much good had that brought forth! To have sent for her now, Fleda felt, was from this point of view wholly natural: she had sent for her to show at last how much she had scored. If, however, Owen was really at Waterbath the refutation of that boast was easy.

"But it's cured of that now," her companion added. "I made a point of letting Mona know that I should be here, don't you see? That's exactly what I wrote her this morning." "She came to see what she could do. She had been tremendously upset, the day before, by what had taken place at your father's, and she had posted down to Ricks on the inspiration of the moment. She hadn't meant it on leaving home; it was the sight of you closeted there with Owen that had suddenly determined her. The whole story, she said, was written in your two faces: she spoke as if she had never seen such an exhibition. Owen was on the brink, but there might still be time to save him, and it was with this idea she had bearded me in my den. 'What won't a mother do, you know?'—that was one of the things she said. What wouldn't a mother do indeed? I thought I had sufficiently shown her what! She tried to break me down by an appeal to my good nature, as she called it, and from the moment she opened on you, from the moment she denounced Owen's falsity, I was as good-natured as she could wish. I understood that it was a plea for mere mercy, that you and he between you were killing her child. Of course I was delighted that Mona should be killed, but I was studiously kind to Mrs. Brigstock. At the same time I was honest, I didn't pretend to anything I couldn't feel. I asked her why the marriage hadn't taken place months ago, when Owen was perfectly ready; and I showed her how completely that fatuous mistake on Mona's part cleared his responsibility. It was she who had killed him—it was she who had destroyed his affection, his illusions. Did she want him now when he was estranged, when he was disgusted, when he had a sore grievance? She reminded me that Mona had a sore grievance too, but she admitted that she hadn't come to me to speak of that. What she had come to me for was not to get the old things back, but simply to get Owen. What she wanted was that I would, in simple pity, see fair play. Owen had been awfully bedeviled—she didn't call it that, she called it 'misled'—but it was simply you who had bedeviled him. He would be all right still if I would see that you were out of the way. She asked me point-blank if it was possible I could want him to marry you."